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Passageway

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by ThaPig
Cleaning around I found some of my old comics from the late 80s and early 90s. Here is an example of an obsolete art technique I used to love. It's the last time I used manual Screentone sheets, also called Zip-a-Tone or Letratone. Nowadays you can use their digital equivalent, but there was something magical about cutting them with an X-acto knife and applying them to the paper. You could create interesting effects by adding more than one layer. you had to be careful because they were like Scotch Tape, and could stick to themselves or get stuck in the wrong place.

They were kind of expensive, though, so I often cheated by photocopying them. This however is the last time when I used the real thing.

The comic is an early 90s remake of a comic I made in the 1980s called "The Gem". It was a science fiction parody of The Three Musketeers, where the villain used a piece of jewelry to blackmail the Queen and both Pinton and a couple of spies were after the McGuffin diamond. I had a second part called "Kill the Pig" in which the defeated villain put a price on Pinton's head and it was just continuous chases and fighting off assassins.

The guy with four eyes was the spy and the insectoid next to him was his not-too-bright sidekick. At the beginning of the story, Four Eyes has the mohawk and the other has antennae, but after chasing Pinton's ship through hyperspace without proper calculations, their bodies get fused together and their headtops get swapped. In 2000, the movie Supernova came out with the same concept. Hollywood is always stealing my ideas.  ( ᐢ (oo) ᐢ )

Keywords
comic 87,042, pig 8,552, aliens 1,371, vintage 779, screentone 106, zip-a-tone 1
Details
Type: Picture/Pinup
Published: 7 months, 2 weeks ago
Rating: General

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tailgat
7 months, 2 weeks ago
dear sir,

you can not tease us with page 1 & 17 of something of SUCH quality made 35 years ago!
you perfectly know there will be someone asking for more, and that's me!  :-D     <3

and LOVE how you remember how once comics was not done digitally, and making it was also a form of craftwork!
ThaPig
7 months, 2 weeks ago
Thanks a lot!
Unfortunately, the comic doesn't exist anymore. I found a couple of pages among old papers and they were in a very bad shape. What you see here was cleaned up in Photoshop. I kept these pages because of their sentimental value. Besides, I never finished this version of the comic. The original one was done in a school notebook and was lost back then. This was a failed attempt to re-draw it some years later.
tailgat
7 months, 2 weeks ago
(sorry for being a pest, but i have to say it)

about your ideas? there will need a book for write down all you have conjured on the material you have pubicly posted alone; and how your style was already mature and developed back then...   damn, my compliments: and may everything in life also always be as good as possible for you. i think you deserve it.
ThaPig
7 months, 2 weeks ago
thanks, I appreciate it.
I have lots of unfinished projects right now, but I'm in the middle of something that doesn't leave me much time to draw. I may go on another drawing spree when I'm again settled down.
 ( ᐢ (oo) ᐢ )
FrancisJCat
7 months, 2 weeks ago
Someday you should have a publisher look at these. Would be nice to see them in printed media.
ThaPig
7 months, 2 weeks ago
I have published a couple of books, but they didn't sell much.
I'm aware my stuff is not the thing that people nowadays would buy, comics were already dying back in the 90s when I was working on this. Nowadays, it has become a different business, mostly about a few select famous brands like Marvel and DC  and the people who buy comics are collectors looking for those particular things. But buying a comic from an unknown artist just to read it, is an extinct thing. All my work is on the Internet for free, anyway ( ᐢ (oo) ᐢ )
ShySketch
3 months, 2 weeks ago
" ThaPig wrote:
and the people who buy comics are collectors looking for those particular things. But buying a comic from an unknown artist just to read it, is an extinct thing. All my work is on the Internet for free, anyway ( ᐢ (oo) ᐢ )


You're close but wrong.  The investor/collectors are also the ones who ultimately "put their money where their mouth is" and ultimately determine the legacy and longevity of your work.

Specifically, the work requires certain traits that make it "investment worthy."  This is usually something including a serial number, a hand-signature, a publicly posted total supply (both circulating and not circulating) of a specific print run.  It must also have some trait that makes it difficult to make a fake/bootleg of.

One thing I do is buy "art," but only if it is truly scarce, in bulk.  Then, as it's aesthetic value is recognized more widely over time and the total amount of them decrease with no way to make more, I intend to sell the items 1-at-a-time later for over 1,000x what I paid.

I would never buy 1,000x of an item if it was "unlimited supply," easy to fake/replicate/clone/duplicate, etc.  I would buy one or two to enjoy or gift, but I'd never get them in bulk and hold them for a decade, ya know?  ;3

Like, there are multiple copies of the Mona Lisa, and all of the "black backgrounds" on Da Vinci's artwork are paintovers.  There is a copy of the Mona lisa which is in better shape than the one in France, but in Spain.  LINK : https://www.museodelprado.es/en/the-collection/art-work... -- note there is an orange "666" in the bottom left corner which was painted on top of the black, and that the number "199" in the same color was revealed under the paint, implying that the artwork was blacked-over by the original artist.  It's also from a slightly different perspective from the "(in)famous" Mona Lisa in France.
ThaPig
3 months, 2 weeks ago
DaVinci was ahead of his time, he was trying to invent NFT art there
( ᐢ (oo) ᐢ )
ShySketch
3 months, 2 weeks ago
NFTs actually only exist due to the definition of the law preventing Americans from participating in cryptocurrency ICOs.  The law defines affected technologies as "fungible."  Hence, they are called "Non-fungible."  The law preventing Americans from participating in ICOs results in Americans being listed alongside North Korea and Iran on all new cryptocurrency ICOs, but not NFTs.

I don't do NFTs though, I'm talking about actual artwork. x3

I brought up the Da Vinci paintings because they are made in duplicate and the black backgrounds (painted over) are clearly original.  I know it is original and intentional due to the "666" in orange being painted on top of the black background on the Spanish copy of Mona Lisa.  The "restoration" artist did not erase the orange "666" but uncovered a "199" adjacent to the "666" under the black paint, confirming that the background is OG~!

As a "product" the Da Vinci paintings are actually protected by the black background, and when revealed are like the day they were painted.  Kind of a perfect example of a "collectible/invest-able" artwork.
ThaPig
3 months, 2 weeks ago
I was making a joke. I have no idea how NFT works, I heard something about a picture of a monkey selling for a lot of money or something. ¯\_( •́ (oo) •̀ )_/¯
Waccoon
7 months, 2 weeks ago
Haha... so I'm not the only one who did the photocopy trick to save money on Letratone.  One of the few highlights of working at the student newspaper office in college was having the laser printer do the toning for me.
ThaPig
7 months, 2 weeks ago
Oh, the good old times  ( ᐢ (oo) ᐢ )
I remember having an old dot matrix printer, so the results were not too good, but I used it for parts that were supposed to look "computerish" by the time's standards. I still had to go to Office Depot and photocopy the printouts at high contrast.
 ( ᐢ (oo) ᐢ )
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