Pokémon have long been known to double as companions and utility. In this case, ice types help out by storing and cooling large amounts of water.
One should probably be careful not to overdo it, though.
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That makes four eeveelutions I've drawn, I think? I often forget about that vaporeon I once drew. In any case, I wanted something quick and simple before I got back to the Pregnant Panthress sequence, and I figured it should have some inflation. I think this is the first time I've drawn anything G-rated in years, though.
Turned out well enough, I guess, the obvious lack of care in the background aside. I think I've gotten used to drawing quadrupeds (at least the eevee-esque ones) reasonably well, and I'm comfortable enough with the shading to not have much to say about that. This did take six hours, which is longer than I think it should've, but I'm not sure what can be done about that matter.
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Using pokémon as tools doesn't come without its complications, of course. Our glaceon friend from earlier, for example, is encountering issues with being used for storing water by someone unfamiliar with the consequences of allowing water to freeze in a closed container.
Generally something one should keep in mind when determining how full a glaceon can safely be filled.
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This was kinda weird - I drew the image before this one thinking I'd probably make it a brief series, and then I kind of forgot I was thinking about doing so immediately afterwards, so I drew that gardevoir instead. Guess I remembered this, though, and I've once again produced something safe for general audiences after the years of never doing so.
Fans of my umbreon Vi will recall that this isn't the first time I've done this same angle on an inflated feral, but I think it was good to try my hand at it again. I changed up the proportions quite a bit to what some could describe as more "traditionally appealing," modelled off of what I've seen some other artists do. Maybe I should use Vi for some experimentation with quadruped anatomy in the near future, since feral is a non-negligible amount of what I produce at this point (even if I usually prefer anthro). Expanding my abilities is never a bad idea.
Guess I like how those ice cubes turned out, too, as small of a thing as that is. I don't think I've ever drawn anything fully transparent like that, where I rely entirely on shadows to make it look like a solid object, maybe aside from TanyaKapton's glasses. A nice success.
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There eventually comes a point where a pokémon is being used less for practicality and more for amusement. Some recklessness on the part of the owner of this particular glaceon has gone so far as to risk nullifying the original purpose of the pokémon's inclusion, since they won't be doing a very good job of keeping water if it's splattered across the yard.
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I must say, it's nice having these easy little sequences to go back to. This one only took three hours to make, as a contrast to the twelve that the image preceding it needed. Lets me relax a bit without having to worry so much about whether I can get the posing to look right with multiple anthros or anything like that.
Another consequence of this being so straightforward, though, is that I'm not really sure I have much to say about it. This one pretty much went the same way as the two before it, if a bit smoother since I had already drawn a glaceon twice before. I guess it's been good for me to experiment with different proportions on ferals, if nothing else - I probably should've put more thought into the proportions of a certain feral character of mine, in fact, so I might try something similar on her later on.
Just about done with this little sequence, in any case. Really need to draw the ending part more often, both for the sake of people getting to see it and for me to get more practice.
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The obvious discomfort for the poor glaceon aside, irresponsible use of a pokémon's secondary utilities can have some unfortunate consequences that owners should keep an eye out for.
...or, in this case, maybe look forward to.
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I've still done popping so few times that it comes out differently every time I try it. I really need to work on making these climaxes happen more often, since it's my main kink.
Anyways, I think this is the popping image I'm most satisfied with so far. There are still some details to get down (the shading on the water looks a tad out of place compared to the rest, for example, since hard shading would be pretty tough), but I think I've finally managed to make it look like there's some force behind the fluid bursting out. I used to think it was a matter of not making the fluid look violent enough, but I'm pretty sure it was actually a matter of how I drew the belly tearing. In this image, you can see how the belly loses its round shape as it snaps in either direction away from the tear, which makes it look a lot more forceful. The success was probably largely due to the belly actually splitting into two parts in this instance, whereas I normally only have it rupture such that it all remains in one piece. It's a lot easier showing the departure from the previous shape when you have two pieces instead of one. It won't always be suitable to have the belly tear into two, though, so I'll have to do some thinking on how I'll draw other bellies popping in the future.
In any case, this was a fun little sequence. I always like drawing ferals every now and then for the sake of doing something quicker and easier, since being able to put art out more often boosts my confidence a bit. I don't think I actually intended to have it become an entire series at first (though I don't remember very well), but I guess this is just how things worked out. I'm happy that people have been pleased with it, in any case. My feral art always seems to get more attention than I expect, which surprises me a bit, since I don't actually find ferals attractive at all and thus don't really know how to make them look appealing. I just like seeing them swell up and burst. Oh well, I suppose.
Keywords
pokemon
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bursting
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on belly
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Details
Published:
7 years, 4 months ago
30 Sep 2017 03:23 CEST
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