==============================================================
--------------------------------------------------------------
PART 0 – TL;DR:
For anyone who just wants to know, I have these base commission templates:
Unspecific Commission = 60$ base + 25$ per extra character;
You give me a general theme and basic character traits like age and gender, but the specifics are up to me (random character).
Situation Commission = 100$ base + 65$ per extra character;
For very specific scenarios that I have to be precise with, but the characters can be random and up to me (you can pick age and gender).
Character Commission = 100$ base+ 50$ per extra character;
I draw a specific character based on given reference, and you tell me a general theme, but the specifics of the situation are up to me.
Specific Commission = 140$ base + 90$ per extra character;
Characters are provided and referenced, and the situation is also a very specific scenario given by you, and I have to be precise with everything.
HOWEVER, my prices can be very dynamic, trying to be fair to each given commission and its needs.
For the full specifics of the prices, make sure to check below.
That said, there is no need to worry about all that, I have a spreadsheet calculator so if you tell me what you want, I can tell you the price!
The information below is mostly for clarity and transparency.
If instead you would like to pay me hourly, it’s just a flat rate of 25$ an hour (minutes taken into consideration).
Only recommended if you trust me, as I will not show progress without being paid the elapsed hours up to that point.
I keep track of every minute I spend on a drawing, as you can see by those numbers on the top-left of the drawings I post.
This can be cheaper or more expensive, but will definitely be more fair to me.
I ALWAYS CHARGE IN USD.
BE SURE TO CHECK THE TOS AT THE VERY BOTTOM.
==============================================================
--------------------------------------------------------------
PART 1 – PRICE CALCULATION:
1-a) Elements in the drawing:
•The background (surrounding context and non-focal elements in less detail).
•The situation itself and idea behind the drawing (interactions, angles, poses, vibes).
•Characters or detailed objects (things that are the focal subject of the drawing).
Depending on if complex, simple, strict or open, the price can change per element.
Simple and open ideas are cheaper. Strict specific scenarios with specific characters in complicated poses will be more expensive, as it takes a lot more work.
For quick examples, here is a break-down of the templates mentioned above:
Unspecific Commission: You give me a general theme and basic character traits like age and gender, but the specifics are up to me (random character).
Background = simple random = 10$;
Situation = complicated random = 40$ (+20$ per extra characters);
Characters = random = 10$ (+5$ per extra character);
TOTAL: 60$ + 25$ per extra character;
Situation Commission: For very specific scenarios that I have to be precise with, but the characters can be random and up to me (you can pick age and gender).
Background = simple random = 10$;
Situation = complicated specific = 80$ (+60$ per extra characters);
Characters = random = 10$ (+5$ per extra character);
TOTAL: 100$ + 65$ per extra character;
Character Commission: I draw a specific character based on given reference, and you tell me a general theme, but the specifics of the situation are up to me.
Background = simple random = 10$;
Situation = complicated random = 40$ (+20$ per extra characters);
Characters = sloppy-referenced = 50$ (+30$ per extra character);
TOTAL: 100$ + 50$ per extra character;
Specific Commission: Characters are provided and referenced, and the situation is also a very specific scenario given by you, and I have to be precise with everything.
Background = simple random = 10$;
Situation = complicated specific = 80$ (+60$ per extra characters);
Characters = referenced = 50$ (+30$ per extra character);
TOTAL: 140$ + 90$ per extra character;
--------------------------------------------------------------
1-b) Complexity, detail and artistic freedom:
Here is a list of each possibility for the background, the situation and the character types, and how much each of them add to the total:
....................
•BACKGROUND:
FREE$ - No background or abstract background:
Alpha channel or solid color.
10$ - Simple random background:
Low detail and lower effort, and no strict ideas I have to follow (though I will match the general theme).
20$ - Simple SPECIFIC background:
Sill low detail and effort, but you can tell me what you want and the configuration of things more specifically.
50$ - Detailed random background:
While the organization, placement and location of objects is up to me, this gets a lot more detail like shading, more intricate objects and anonymous characters like crowds or bystanders.
80$ - Detailed SPECIFIC background:
A higher quality background where you specify how you want it more strictly. Use for when the exact framing of the situation really matters and you want high quality.
....................
•SITUATION:
FREE$ - No situation:
Very simple/easy angle and pose, with the character doing nothing - CAN BE USED FOR REFERENCE SHEETS.
10$ (+5 per extra character) - Simple random situation:
Simple, basic in camera angle, perspective, poses and interactions. Nothing tricky. You only give a general theme, but I’m free to explore ideas on my own.
15$ (+10 per extra character) - Simple SPECIFIC situation:
Still nothing tricky in camera angle, perspective, poses and interactions. This time, the idea is strict and given by you, where you describe the exact scenario you want (do mind some wiggle room for my personal limitations).
40$ (+20 per extra character) - Complicated random situation:
Use when the needed theme / fetish you want would require some trickier, dynamic configurations (POV, accurate anatomy, showing many things at once, tangled characters). The details are still up to me, but here it’s a given that it won’t be something basic.
80$ (+60 per extra character) - Complicated SPECIFIC situation:
Very strict commission scenario, where you go into full detail about how you want it. This is for very specific and intricate situations where I would have to comply to a lot and also push my skills to do a very specific and complex scenario you want to see.
As you can see by the price, I discourage this... but if you really want it then I want it to reflect my past experiences with this taking multiple days. Consider using hourly rate maybe.
....................
•CHARACTERS / OBJECTS:
FREE$ - No characters and no objects:
This is for background-only pieces. Important to note that something like a car collection or a spaceship would not count, as each individual vehicle would count as an individual “character”.
5$ - Basic foreground characters/objects:
Low detail basic characters, typically things like “anon” or YCH characters, stick figures, simple slime/tar/blob monsters or simple creatures like larvae. HOWEVER, it won’t count if anatomy needs to be accurate/realistic.
Gender or genitalia can be specified freely. But age only as rough approximation.
10$ (+5 per extra) - Random characters/objects:
Normal character detail, which allows for better anatomy and more unique looks and designs which are up to me. You can still specify age, gender, genitalia and maybe species and body type (though it’s up to my interpretation).
For objects this can also apply, more ornate than background objects, but still my design.
15$ (+10 per extra) - Described SPECIFIC characters/objects:
This is like the “on-model” version of random characters. You can fully describe what they want the character to look like, but without giving image references.
Can be used along the “no-situation” option to create reference sheets but NOTE - If I have to draw them more than once, only the first time counts as described, the remaining would obviously be referenced or internal-specific (depending on how consistent you want it), since I need to adhere to what was created.
25$ (+15 per extra) - Internal SPECIFIC characters/objects:
When you want me to draw MY OWN characters. This is for people who liked a certain character in my drawings and wants to see more of them, but I have to be comfortable with that character in that situation, though.
Asking for the character to be me or Kat grants the other for free (I like when we are a pair and balanced, you pay for one you get the other as bonus).
Gender, genitals, age, species and body type might vary depending on the character (if me and Kat, we can be anything, other characters can be more rigid).
50$ (+30 per extra) - Sloppy REFERENCED characters/objects:
The more typical commission. For when I need to follow a given reference and it’s not my own character.
Sloppy means that it doesn’t have to be on-model and I don’t have to try to represent the shapes and style as closely as I usually would try to.
NOTE: If the character’s design is extremely simple, then even drawing them on-model could come down to this price, so feel free to ask!
80$ (+50 per extra) - On-model REFERENCED characters/objects:
Again, when you want me to draw an existing character that isn’t my own, but this time way more on-model like I typically tend to do. This can be quite difficult for me in some cases, which is why the price is high, but this has been very demanding on me in the past.
100$ (+80 per extra) - REFERENCED-PLUS characters/objects:
Reserved for references coming from a high-fidelity or non-2D medium (such as masterful 2D animation, 3D animation, 3D games, films, photography) that have to be specially precise, and either intricately detailed or very “aesthetically optimized”. This has absolutely demolished me in the past, so it’s very discouraged now (consider hourly-rate and be ready for it to take months as I drag my feet, maybe go for not on-model).
If you’re unsure about what counts, feel free to ask, but usually it means that me drawing it won’t work out on-model unless I get the curves and shapes and strokes PERFECTLY. 3D Nintendo, Pixar, Dreamworks and Illumination characters would often count, if you want them very on-model.
•PARTIAL CHARACTER DISCOUNT:
When a character or focal object are not seen in full, it can have a discount. If I don’t have to draw their whole body, I don’t charge their whole body.
Here is a rough example of how it is priced, since this stuff can be complicated and it’s hard to tell the value of what is and isn’t hidden:
75% (25% off)
If a lot is showing but not everything. Generally it means showing more than half the character if the face is hidden, and showing a bit less than half if the face is visible.
50% (half price)
If not a lot is showing but still important. Just head and face would go here. Focus on chest + belly would apply. Entire rear and legs would apply. Things like that.
25% (quarter price)
For specific body parts on their own, not much else showing. Examples are like just the breasts, just the soles, just the butt (no bits), just internals of the mouth or internals of other parts and so on.
Conjoined or multifur characters with multiple limbs, heads and torsos might trigger this for the extra parts, but it can be complicated. To be decided on a case-by-case basis if valid.
These discounts also primarily help with extra versions, such as getting different versions for a character’s genitalia or clothed/nude, for instance.
NOTE: Discounts apply over the combined character + situation price.
--------------------------------------------------------------
1-c) Variations in quality, sketches, no-shading, non-complete drawings and so on:
So far all prices have been for a full-color sloppy-lines drawing of minimal shading (my normal), but it can go cheaper in lower levels of quality, effort or completion (or higher if you want more effort than usual).
If you care more about the idea than you care about it looking like a pristine artistic piece, and you’re on a budget, this can help a lot.
The calculation comes on top of the TOTAL SUM drawing elements, like a general percentile modifier.
So just take the price it WOULD have been (let’s imagine 200$) and multiply by the percentages:
500% - Premium (clean lines and deeply shaded like my best work, not recommended, expect months of waiting). Price increases to 1000$.
200% - Flat-Clean (full-color, no shading, way better linework, non-messy). Price increases to 400$.
150% - Sloppy-Shaded (decent deep shading, full-color, no perfect strokes and kinda messy). Price increases to 300$.
100% - Sloppy-Lines (very simple shading, full-color, no perfect strokes). Price stays at 200$.
90% - Shaded-Sketch (soft brush strokes and no clean lines, but shaded and good effort). Price lowers to 180$.
80% - Sloppy-Flat (colors without perfect strokes, no shading). Price lowers to 160$.
60% - Detailed-Sketch (unfinished but good effort, no shading). Price lowers to 120$.
25% - Sloppy-Sketch (very basic and messy). Price lowers to 50$.
10% - Low-Quality-Scribble (still works for kinkier fetishes but can look extremely stupid). Price lowers to 20$.
Feel free to ask for examples, but let me know if there are any themes you’d like to avoid seeing so I avoid sending a picture of those.
--------------------------------------------------------------
1-d) Different versions and completion of existing drawings:
In most cases (where there is a big change in pose), versions will use the same logic as just getting another piece but without a background (if it stays the same).
Most of the pricing is automatic, given that my prices are already based on what is being created. Versions would just be additional creation.
However, if the changes are small, that can count as a “partial character” situation, where it reduces the price of the version.
Minimal changes:
FREE For very minimal and easy changes (such as change in dialogue, simple color changes in aliased styles (not for soft styles), removing fluids, removing haze, changing color of fluids or haze, hiding backgrounds), granted that you are commissioning or have commissioned the original piece.
If the original piece was my idea, or someone else’s commission, then I would charge a fixed fee of 5$ for removing/hiding and 10$ for changing.
This is just a buffer against it being totally free for someone to request changes to existing drawings randomly.
But again, if it is YOUR OWN commission, then you pay NOTHING for these little changes.
Significant changes:
For changes that need to create something new (instead of just hiding things or changing colors), the pricing is only an addition based on the pricing rules discussed so far. Whatever needs to be added will follow the price as if it’s an extra thing.
As an example, for alternate versions where the background stays the same, it is not charged as one of the elements. Only what changes.
If you need a character’s lower half to be redrawn (maybe you want them without pants), then you only pay for an extra “half-character”, according to the PARTIAL CHARACTER DISCOUNTS, which would likely be 75% of the total price the character would have had.
If you only need something like genitalia of one gender swapped for the other, than that’s the quarter-price discount (25% the price of that character).
The quality modifier then applies on top of that.
If you only want your alt-version to be flat-colors, it will get the flat-color discount on top of the partial character discount (assuming your version doesn’t require a full character re-draw).
This doesn’t work if I don’t have that version of the original (if I skipped sketch or shaded the color layer). This is rare, so I’ll let you know if it’s the case.
Feel free to ask for your specific case, but depending on what you want to change, or what you want extra, it can be calculated from the systems so far.
Complete alternate versions / extra panels:
Of course, this means that if you want EVERYTHING to be different, then it works as a whole new piece.
I don’t like charging less just because two things were commissioned together, since that doesn’t make sense in my head (I provide discounts in other ways, which are time-independent), so even if pictures are part of a “set” or sequence, they all get charged individually.
The same goes for comic panels. Each panel is like a sequence of another panel.
However, if anything is re-used, then it is not charged again. If the background doesn’t change, you only pay for the background once.
If an object keeps being re-used (and doesn’t have to be re-drawn), you only pay for it once.
==============================================================
--------------------------------------------------------------
PART 2 – REWARD BONUSES / DISCOUNTS:
The bonuses are meant to compensate the somewhat expensive price of my commissions, rewarding recurrent commissioners in the long-term.
When certain milestones are reached, they return a small fraction of their value as a bonus that can be used as a discount. This can result in FREE COMMISSIONS.
This bonus is accumulated automatically with the total money spent on me (I keep track), and can be used whenever you feel like. It never expires.
--------------------------------------------------------------
2-a) MILESTONES:
•200$ = 20 bonus: For each 200$ spent on me you get a 20$ discount to use on anything.
•1000$ = 100 bonus: For each 1000$ spent on me you get a 100$ discount to use on anything (plus previous ones).
•5000$ = 250 bonus: For each 5000$ spent on me you get a 250$ discount to use on anything (plus previous ones).
•25000$ = 1000 bonus: For each 25000$ spent on me you get a 1000$ discount to use on anything (plus previous ones).
•100000$ = 5000 bonus: For each 100000$ spent on me you get a 2000$ (plus ALL previous ones).
--------------------------------------------------------------
2-b) REPETITIONS:
BONUSES COMPOUND! It is also VERY IMPORTANT to note that you KEEP HITTING THE MILESTONES, OVER AND OVER AGAIN. FOREVER.
So if you spend a total of 200$, you get the 200$ milestone for the first time. But as soon as you reach a total of 400$, you get it again, accumulating an extra 20 bonus. At 600$ you reach 60 bonus, and so on.
The milestones also do not interfere with one another.
At 1000$, you get both milestones, accumulating 100 bonus from the 1000$ and another 100 bonus from the five 200$ milestones, for a total of 200 bonus.
At 5000$, you get all three, so 250 bonus from the 5000$, and another 1000 bonus from all others, accumulating 1250 bonus of bonus as soon as the 5000$ mark is crossed.
--------------------------------------------------------------
2-c) USES AND SPENDING:
These bonuses function as discounts for anything you may want. If there is a 750$ commission you’d want, and you have saved up the bonus, you can get the entire thing FOR FREE!
On the other hand, if you want to use only part of it, you can do so to get extra versions, or quench details in a given commission, to make it cheaper.
It’s up to you.
On spending, treat the bonuses like a piggy bank. More bonuses will come as you continue to spend money on me, and it will only get better, but once the bonus is spent, it’s like the piggy bank goes down in money.
This does not interfere with earning more bonuses, as the accumulation of bonus is automatic from the REAL money spent on me.
==============================================================
--------------------------------------------------------------
PART 3 – RULES, ALLOWED THEMES:
This goes over what I’m unwilling to draw or on the fence about, and when it will probably be okay, as well as general rules and TOS.
--------------------------------------------------------------
3-a) HOW TO APPROACH ME
If you want a commission and we don’t already talk, PM me about it.
Feel free to already have what you want there along with an agreement to the TOS if you wish.
The communication should be about what you want me to draw, and how it’s going.
I might provide a discord contact to commissioners who prefer it, but agreement to the TOS must be done in PMs.
--------------------------------------------------------------
3-b) RULE 34
ONLY LIMITED TO BIGGER FRANCHISES (no asking for a random indie creator’s characters unless they’re involved and okay with it).
I might feel iffy about doing it if the source material is stuff that bothers me (like super tragic or grimdark stuff), and I reserve the right to not do it if I just don’t vibe with the franchise.
As for quality, go into this knowing that while I tend to try being on-model and that I have past experience doing referenced requests, there is no guarantee I will nail the style or character. This is especially true for stuff like 3D and very aesthetically optimized characters like mentioned in pricing.
So basically if the character looks so perfect that to make them look like who they are and as attractive as they are I would need to go absolutely crazy on it, it will be a lot harder on me than a simpler 2D character.
Like I said before, if you absolutely need it, consider paying me by the hour so I can take as long as I need to in order to satisfy how on-model you want it to be.
--------------------------------------------------------------
3-c) COMMISSIONING MY OWN CHARACTERS
I’m generally okay with being paid to draw my own characters in situations you might enjoy, granted that I like those situations.
However, due to my own mental inhibitions and some OCD stuff, I might not want to put characters through situations I consider to be “out of theme”.
Because of this, I might refuse to do it even if it might seem to make sense.
•I won’t draw most of my characters interacting with things from outside my universes. No cross-overs, no interactions with other people’s characters.
The only exception to this is when it’s a character I’ve designed to do exactly that.
I might be willing to do so with some versions of Kat and/or myself, but that is also touchy, so I might refuse a lot.
•I won’t draw things that go against canon for my characters and my settings. I know it’s silly, but the OCD is too strong.
Things that are out-of-character or that wouldn’t happen in that setting will bother me a bit. Setting issues can be bypassed if it’s clear the character is going through VR or a fantasy or dream, but it still has to be in-character, and there needs to be indications of the irreality of it in-universe.
Asking for something that everyone does (like being naked at some point and other stuff) is always fine, because then it would make sense.
•Figuring out which characters I’m touchy about can be confusing.
I create a lot of random characters on-the-spot, and some people take a liking to those, but I don’t really value them as much as people might, and I don’t find a lot of interest in expanding a lot of them.
It should be handled on a case-by-case basis.
Also as mentioned in pricing, if you want me to draw myself or draw Kat, you get the other for free.
We come as a pair, since I like keeping a balance in how often each of us is drawn.
--------------------------------------------------------------
3-d) THEMES I AVOID AND THE EXCEPTIONS (CONTENT WARNING - DISCUSSING MORBID STUFF)
This actually changed quite a lot in the last couple years, so I’m nowhere close as touchy as I used to be. That said, there are still some things I would just rather not do and some things that there is no way I would ever do.
As a TL;DR: I will avoid feel-bad content, grimdark settings, dark depictions of sexuality, bad endings, characters dying horribly or crying and true evil cruelty.
Annoying edge cases still apply, so I’ll try to go through everything in more detail below.
•ACCEPTABLE GORE:
If the character enjoys it and wouldn’t end them then no problem. If they don’t enjoy but don’t hate it either, then it has to be 100% easily survivable.
Gore using things like slime/goo/putty/clay and similar is never an issue.
No faces of agony tho, it shouldn’t look bad.
•GENERAL NO-GO GORE, MUTILATION, HARM:
I would rather pass on “realistic” or “serious” forms of gore even if the characters are into it. There are some slim chances I would do it, but don’t count on it.
Again, though, if it’s meant to be dark or tragic or feel-bad or depict agony and misery, then I will not do it.
•SET-UPS, IMMINENT STUFF, OPEN-ENDINGS:
I generally regard “imminent” situations as equivalent to the thing happening.The rule is of the path of least resistance and logical conclusions.
If it looks like X is about to happen, the drawing might as well be X happening, so if that would be anything that I would say no to, then same goes here.
I am not as picky with possible interpretations of open-endings anymore, though... even if I still dislike the idea of open-endings. If logic says “yeah it’s possible something happens that the character or a loved one would hate” then big no, but if the characters would LOVE it, even if a little messed up, I MIGHT do it, as long as it’s not a character belonging to a third party. If the subject is one of my characters and I see it as fitting, it might happen.
EXAMPLES: Serious open-ended unkind kidnappings, mind-possession, absorption/vore, permanent inanimate transformations, abandonment, character drama or any situations that could be easily interpreted to lead to these.
•FEAR, WORRY:
Depending on the situation, expressions of fear and worry can be okay, given that it isn’t genuine terror. Shocked faces might be a no in most cases if the situation could be said to be “bad”.
Good examples of this not being an issue is when a character is given a challenge that is a bit too tough but that will still be fun, or when they are a bit nervous.
Sexualizing fear itself, like arousal from being afraid, startled, or terrified is a bit worrying but I might give it a spin if the context is safe.
•STRONG EMOTIONS, CRYING, SOBBING, TEARS:
Strong POSITIVE emotions and extreme expressions of intensity and being overwhelmed are fine, given that the context is non-perilous.
However, tears streaming down face, crying or sobbing, even in a happy/good context, even if just for the fetish, would be a no due to a personal thing. I just don’t draw crying, period.
That said, little cute tears on the eye (not running down cheeks) combined with happiness or positive sensations, or even just being “bratty”, “needy” or things like that are okay. It just has to be “aw, sweetie 🥺” and not “omg what’s wrong 😰”.
•NEGATIVE EMOTIONS, SUFFERING, INTERPERSONAL DRAMA:
Nope. Absolutely not.
Things like suffering, misery, hopelessness, genuine despair, agony or any other dark and bleak emotions bother me A LOT. Way more than happy snuff.
If the character would rather have it stop, be over with, or get out of that situation, I’m probably going to feel bothered even if the situation itself isn’t that bad.
This is also why I’d rather see hardcore gore of a character who likes it than character drama like a betrayal or end of relationship even if technically harmless.
The cheat sheet here is “when the dust is settled, would the character still wish it didn’t happen?” and if the answer is yes, then reconsider.
•BAD ENDINGS:
I consider bad endings to be when a character goes through something very FINAL that takes away something very precious from them or those close to them.
This causes distress and suffering with their situation becoming worse than it was, in their own perception.
Very grim/bleak stuff, desperate hope being punished, sudden/emotional tragedies, shocking stuff or hostile disregard for an individual’s fate/existence is the type of stuff that really bothers me the most, and I would have to fight to not getting a bad impression of you from it. Literally don’t even ask.
•CRUELTY, ABUSE, MEAN STUFF:
Only if horny and there is a mutual agreement of doing it for mutual enjoyment, even if unspoken. There is another cheat sheet here: It is BAD if the sadist or abuser would be DISAPPOINTED to find out their victim is secretly enjoying it and WOULD PREFER IT TO CONTINUE.
If it’s a situation where the abuser wants the victim to enjoy it, and the victim does, then the chances of me agreeing go up, but it’s still hit-or-miss.
I do like sadistic or evil characters in some contexts, so it really depends, but again, if anyone is genuinely having a bad time, probably a no-no.
•SELF-DESTRUCTIVENESS:
I’m very iffy about this one because I can’t rationalize it at all but my instincts say no.
I guess the rule is “is this a bit too dark and emotional?”, where disregard for their own self, or a desire to be cruel to themselves, or to suffer a bad fate strike me as “I don’t wanna draw this”.
Masochism is fine, but if it feels like it’s a bit too dark or not-sane, or if it’s too self-destructive or self-hostile, then it bothers me.
•DEATH AND PERIL (IF THE CHARACTER REALLY WANTS AND LIKES IT):
The permanent end of a character who would prefer not to go is a big no. If they either want a permanent end or if it’s not a true end… I’m not super against it but probably won’t do it. The rule of “if X is likely here even if not depicted, then this might as well be X” of peril still applies. Also applies the rules for grimdark/misery/agony/despair, which are a big no-no.
But assuming the character either doesn’t really mind or really wants it and if the fetish hits the same spot as snuff while we have confirmation that the character won’t cease to be… I don’t know… I can see some very situational cases, but in general not at all likely.
•TRANSFORMATIONS THAT IMPACT THE SELF:
I can be touchy about this for similar reasons as above. I don’t like the character’s self being endangered.
If the transformation is somehow portrayed as the character still being there unharmed, then it will probably be fine.
If the transformation makes the character’s self or consciousness disappear, then I’d be concerned and probably not do it.
Reversible character transformations (where one character turns into another character in body, personality and maybe memories) is a grey area that can be fine, but I can be very touchy about it.
•LUST OR SEXUALITY IN A NEGATIVE AND UNDESIRABLE LIGHT:
I don’t like when lust/sexuality/desire is depicted as bad, or leading to negative consequences that cause regret.
I also don’t like when it facilitates/lures characters into doing things that makes them feel worse about their morality afterwards.
Or when it facilitates/lures characters into doing things that harm themselves or others, such as bad or risky behavior.
If the character is being tempted by lust towards something bad, then it really bothers me.
In general, potential or realized regret = bad, if you’re gonna misbehave then mean it.
•DISREGARD FOR MORALITY IN SERIOUS SITUATIONS:
This is when characters disregard virtue or morality in serious or realistic situations, with realistic risks or consequences that mirror the real world.
If it can result in something that would be wrong or distasteful in real life, and the setting sees it as the same, then I’m not touching that.
Perversity is fine, but there should be no risk of distasteful or undesired outcomes. If the risk is portrayed as real, and the consequences are bad, then I won’t do it.
This can be avoided if it’s not a bad consequence or the setting doesn’t see it the same way as real life does (granted that it’s not bad for other reasons in this list).
Note that this doesn’t cover only NSFW stuff. As I see it, these bad things in SFW drawings is just as bad, if not worse in some cases.
There are more cases where I could refuse things if I get bad vibes from them, but I can’t describe those, so it will have to be on a case-by-case basis.
Feel free to ask for clarification if you have some edge cases that you think I neglected here.
Other than these, I’m pretty much okay with lots of weird, bizarre, gross, kinky and perverted things, as well as SFW and tame or “cool” and “epic” stuff.
==============================================================
--------------------------------------------------------------
PART 4 – TERMS OF SERVICE:
I’m not too picky about this, it’s just to cover my basis, better have it than not.
As a note also please don’t mention it being pornographic content to PayPal or any affiliated entities. Art and porn can have different connotations that can spell trouble when it comes to legal stuff, so never mention it as porn.
To agree with the TOS for a commission, I’d like you to send me a PM detailing what you want and that you agree to the following terms (they must be listed on the PM):
•Commissioner agrees with the pricing rules and calculations set up by the artist.
•Commissioner agrees with the themes that the artist will refuse to draw, and agrees to not expect a completed work if their requested idea was a forbidden theme.
•Commissioner agrees that the artist will be the one sending the invoice, and that the commissioner will not send the artist any money on their own.
•For pre-caulculated prices, commissioner recognizes that the artist will only start working on the commission after the payment arrives on the artist’s PayPal.
•For hourly pay, commissioner recognizes that the price must be paid for the elapsed hours before the artist sends an update.
•Commissioner agrees to not give the artist’s PayPal address to others.
•Commissioner agrees to make no changes in the idea or concept of the drawing after payment is accepted. Previous messages will be the only basis for the drawing.
•If a reference is provided, commissioner agrees to take responsibility for the character not belonging to a small independent third-party without authorization.
•Commissioner is allowed to repost the commission anywhere they want, no need to ask permission, but naming the artist, of course.
•By default, the artist will post the commission unless asked otherwise. The commissioner must notify the artist if they do not want the piece to be made public.
•By default, the artist will not mention or tag the commissioner in the description by name directly, and will only refer to the commissioner anonymously as “the commissioner”. The commissioner agrees to notify the artist if they want to be identified instead.
Just type something like “I agree with the terms:” and copy-paste these points above in a PM.
Last modified 17/02/2026
