Optionally stylized as TrIIILogy Also known as The Queen'sMate TRILOGY Portfolio, or Debauchery: a Maleficent Parody to The Cure, or The Last Laugh, or The First Ambiguous Ending to the Artist or A Dozen Years Starring the molly cats♀️:
Sienna the Havana Brown (7yrs 6mos) Clover the Siamese (6yrs 9mos) Mafti the Egyptian May (5yrs) Selk the Snowshoe (3yrs 4mos) Inochka the American Curl (2yr 6mos) Avena and Frambosa the Munchkins (3yrs 8mos) Uma the Turkish Angora (4yrs 9mos) Izumi the Japanese Bobtail (5yrs 4mo) Saoirse the Persian (4yrs) Phéeson the LaPerm (2yr 5mos) Lichi the Manx (2yr 4mos) Komenskee the Tennessee Rex (2yr 3mo) Mayeece the Devon Rex (hybrid) (1yr 7mo) Majken the Chantilly-Tiffany (2yr 2mos) Zeynep the Turkish Van (2yr 5mos) Fonsay the American Wirehair (2yr 9mo) Heather the Scottish Fold (1yr 5mos) Kroz the Ragamuffin (1yr 1mo) Luxi the Savannah (1yr 5mos)
Starring the tomcats ♂️:
Baess the Abyssinian (5yrs 2mos) Gavrey the Bahraini Dilmun (4yrs 5mos) Qiang Ping the Oriental Longhair (5yrs 9mos) Sagohl the Chausie (2yr 3mos) Steffine the Norwegian Forest (3yrs 1mo) Oleg the Peterbald (5yrs 11mos) Tiebalt the Somali (3yrs 10mos) Aleqiq the Arabian Mau (2yrs) Neftali the Bombay (5yr 5mos) Cillem the Cornish Rex (6yrs 11mos 🪦 ) Dux the Bengal (3yrs 3mos)
Featuring: Nijirou the Khao Manee (1yr 7mos) Felsen the Nebelung (1yr 5mos) Ingre the Napoleon (1yr 1 mo) Davon the Indian Billi (1yr 1mo) Haldee the Korat (9mos) Mejuul the Suphalak (1yr 9mos)
The whole closet has for the moment lived serenely until a change of social dynamics had struck them to imply the four emperors of the apocalypse. The hazing of the male portion for the sake of what is otherwise perversion of justice triggers the inner struggle after another, such as the lynching of certain breeds gone wrong, a mysterious malignant sickness, and a divine imbued demolition of past representative idols; eventually mollies and toms call a truce to recover from their radical performance, a cure to fight the sickness called the association of the self and the concept, into the graduation toward a new concept for their God Temi and the Messenger Turo.
This pack was conceptualized as a personal separating of the illustrator from their own works and audience triggered by such works, upon an incident that would call for social justice during the time of the rise of the woke mentality, and simultaneously the pursuit of justice through retaliation, among other aspects of the time, become marketing foils. It was also serving to trigger, upon release, that aforementioned mechanism whether it is a publicity stunt or a revolutionary artistic movement within the illustrator. Apart from such, while the height of the sheets remain applicable following the first two packs, the width is greater to give the theatricality feel to the cathartic subject matter, including gender revolution, national racial discrimination following a war, and submission to as well as propaganda of cancel culture as an otherwise art movement.
