Welcome to Inkbunny...
Allowed ratings
To view member-only content, create an account. ( Hide )
Why Female Characters Are Written To Have More Fun & Be Silly When Given The Power To Turn Invisible
« older newer »
bwrosas
bwrosas' Gallery (83)

Why Female Lead Characters Are Chosen To Have Invisibility Powers And To An Extent, Shapeshifting

The Ladies Give Decent Explanations To Tails, So They Can Both Have Fun!
why_female_characters_are_written_to_have_more_fun.doc
Keywords shapeshifter 2139, shapeshifting 604, invisible 188, invisible woman 3, invisiblewomen 3, shapeshiftingwoman 2, shapeshifting woman 1, invisible women 1
Why Female Characters Are Written to Have More Fun & Be Silly When Given the Power To Turn Invisible And Shapeshift.

Well, it's quite simple.  

You see, it's because from what I've seen and heard, studios, creators, and book writers feel and believe that the female lead is more creative, imaginative, and mischievous than the male lead.  Why you ask, well let's answer that shall we.

WHY:

Well, as I said at the start, it's because from a mental standpoint, females seem to know how to have more fun with this power when it's given to them.  And the examples I will bring up will hopefully tell you why that is.

While the men are usually looked at and cast in roles where they use this power to get even with someone, become peeping toms, go on murderous rampages (if it's a horror story), commit robberies, etc....

So, by going off that research, the screenwriters, studios, creators, book writers of said story will tend to lean in the direction of giving a female character these powers of Invisibility, and then go off in the direction of making a more fun, comedic story for everyone to enjoy.  All because now, they have their lead for the story foundation-wise.

VARIOUS EXAMPLES:

The Invisible Woman (1940 Film):  This film (I honestly have not seen much of) is a classic comedy film with the titular character having the power of invisibility, and from I've understood, does have all the fun I mentioned at the start throughout the film.  Now those of you that have fully seen the film, can correct me if I'm wrong in anyway.  But this is one example.

Topper (1940s Comedy Film Series):  Pretty much everything I said for the first entry, can be applied here.  And again, if I'm wrong in any matter, please feel free to correct me.

The Invisible Woman (1983 Made-For-TV Movie Pilot): Is another great example of where the character, even through she wants to be normal again, has fun with this power she now has.  I mean, there are various comedic scenes where she's trying to be normal with these powers, and it comes off as very funny.  Heck when she applies makeup to try and look normal, she's having fun with her current situation.  Now if you want to watch the full movie pilot, you can it find on YouTube (last I saw)

The Invisible Kid (1988 Teen-Comedy):  In this film, the main character (played by Jay Underwood) recreates his late-father's invisibility formula, and he and his friend use it to cause trouble at school, and mostly (as I said earlier) peep on the girl's locker room.  However, we also have another character, the girl next door and the love interest for Jay's character, played by Wilson Phillps own Chynna Phillps.

Now I bring her up, because there is a scene where she brings the formula back to Jay, and upon hearing what it can do, wants to try herself.  So, she does, only if she keeps a secret, which she agrees to do.

So when she tries it, she's in awe of what it can do, and then (after informing Jay's character of knowing about him and friend running around naked at school due to them being invisible at that time, which of course surprises Jay), she decides to have a little fun and do a invisible strip show by removing all her clothes, till there is nothing left but air.

And this moment here (and this is why I'm focusing more on it then the previous 3) is probably the best example of what I mentioned at the beginning about why female characters are always the first choice of storywriters, screenwriters of any kind to go with by giving the power of invisibility.

The Invisible Mom 1 & 2 And Mom's Outta Sight (Made for Disney Channel/TV films):  These 3 films kind of blend both of what I said of the first two entries here and the one on Chynna Phillps character from The Invisible Kid.  Basically, all the moms in these films go invisible, and due return to normal at the end, but in the meantime, there are moments where they decide to have some fun with the power they temporarily have.

Buffy The Vampire Slayer (Season 6, Episode 11 ``GONE'') Here, in the 2nd to last season of the show, Buffy gets accidentally zapped by a ray that turns her invisible for most of the episode.  But instead of worrying about how she'll be restored, she instead decides to have fun with this power, and with everyone she knows.  

And even has a sexual encounter with Spyke, where she explains to him that she is free of life, and responsibilities because of this power she now has.  Now, of course she gets restored at the end, but still this is another example with what she says to Spyke after their sexual moment, of what I said previously at the start and in detail with The Invisible Kid and Chynna's character there.

And that's basically the fact, that Buffy is having fun with this opportunity she currently has, and she's going to make the most of it.



ANOTHER EXAMPLE SIMILAR TO WOMEN BEING GIVEN THE POWER OF INVISIBILTY: ``SHAPESHIFITNG'':

This is here, is one great example similar to the invisibility trope, as to why women are the first chosen to have this power by writers, studios, etc..

Being able to become anything their mind comes up with:  So, this goes with the creative side mostly.  Because a female will know almost instantly what to become faster than whatever a male can come up with.

Various examples I know of are from stories off DeviantArt, and Patreon, where the lead female characters are shapeshifters and will in a snap (almost) be able to come up with whatever creative change their mind can come with.

There examples I speak of are, MrInternetMan's Veroncia/Demonica character from his ``Mystic Makeover'' series.  TroubleTRO and their various shapeshifting femme fatales from their various Patreon-Exclusive webcomics.  The same can be said for Jovian16 on Patreon as well, along with the likes of folks like Nexstat as well.

Being able to melt/turn into a gooey puddle: This is something, going back to the likes of TroubleTRO, Jovian16, Nexstat on Patreon, that their characters will use for sexual encounters (most of the time).  Same with MrInternetman's Demonica/Verconia character, on occasions.

Becoming different people to have fun with or disguise themselves as:  This goes back to the first one here, women who will have this power, more than likely will change into different women, heck even different men to disguise themselves, or have fun with in a roleplaying matter, like in front of a mirror when they're first discovering how to use their powers.

4.EXAMPLES PROBABLY COMING IN FUTURE PROJECTS:



If you've been on the internet over the past few years, you may have heard of various projects that will feature Invisible women characters (lead or not), some of this projects seem to heading in the more comedic direction, and if that is true, then you could probably expect this invisible women characters to have some fun  with their powers, in some way or another.

5.Invisible Women In Adult/Softcore Porn Films:

Yes, believe it or not, there are movies out there that are like that.  I mean sure the effects may not be the best, especially when these films came out, but yes there are Adult/Softcore porn films that feature an Invisible woman lead getting on with both male and female co-stars.

Sure, if any are there today, the effects (no doubt) have improved greatly, but again, if you're curious, these films do exist, or will sooner rather later.

CLOSING:

The point I wanted to make here, was, and I mean no offense when I say this, but no matter how you look it, when it comes to the invisibility stories of any media, and even shapeshifting to an extent, female characters are always going to be chosen to be given this powers over male characters, because like I said at the start, screenwriters, storywriters, book writers, studios, etc.. from their mental point of view will see the female character as more creative, imaginative, and mischievous, and thus they will know how to use these powers in any way possible.  This even includes usage in Adult/Softcore Porn films as well.

Anyway, I hope I did my best in this more detailed, less jumbled essay to explain why female characters (led or not) are always chosen to have the powers of invisibility and to an extent shapeshifting.

Comments and Feedback are Welcomed

Take Care.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
page
1
page
2
page
3
page
4
page
5
page
6
page
7
page
8
page
9
page
10
page
11
page
12
page
13
page
14
page
15
page
16
page
17
page
18
page
19
page
20
page
21
page
22
page
23
page
24
page
25
page
26
page
27
page
28
page
29
page
30
page
31
page
32
page
33
page
34
page
35
page
36
page
37
page
38
page
39
page
40
page
41
page
42
page
43
page
44
page
45
page
46
page
47
page
48
page
49
page
50
page
51
page
52
page
53
page
54
page
55
page
56
page
57
page
58
page
59
page
60
page
61
page
62
page
63
page
64
page
65
page
66
page
67
page
68
page
69
page
70
page
71
page
72
page
73
page
74
page
75
page
76
page
77
page
78
page
79
page
80
page
81
page
82
page
83
page
84
page
85
page
86
page
87
page
88
page
89
page
90
page
91
page
92
page
93
page
94
page
95
page
96
page
97
page
98
page
99
page
100
page
101
page
102
page
103
page
104
page
105
page
106
page
107
page
108
page
109
page
110
page
111
page
112
page
113
page
114
page
115
page
116
page
117
page
118
page
119
page
120
page
121
page
122
page
123
page
124
page
125
page
126
page
127
page
128
page
129
page
130
page
131
page
132
page
133
page
134
page
135
page
136
page
137
page
138
page
139
page
140
page
141
page
142
page
143
page
144
page
145
page
146
page
147
page
148
page
149
page
150
page
151
page
152
page
153
page
154
page
155
page
156
page
157
page
158
page
159
page
160
page
161
page
162
page
163
page
164
page
165
page
166
page
167
page
168
page
169
page
170
page
171
page
172
page
173
page
174
page
175
page
176
page
177
page
178
page
179
page
180
page
181
page
182
page
183
page
184
page
185
page
186
page
187
page
188
page
189
page
190
page
191
page
192
page
193
page
194
page
195
page
196
page
197
page
198
page
199
page
200
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
next
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
previous
page
 
 
page
1
page
2
page
3
page
4
page
5
page
6
page
7
page
8
page
9
page
10
page
11
page
12
page
13
page
14
page
15
page
16
page
17
page
18
page
19
page
20
page
21
page
22
page
23
page
24
page
25
page
26
page
27
page
28
page
29
page
30
page
31
page
32
page
33
page
34
page
35
page
36
page
37
page
38
page
39
page
40
page
41
page
42
page
43
page
44
page
45
page
46
page
47
page
48
page
49
page
50
page
51
page
52
page
53
page
54
page
55
page
56
page
57
page
58
page
59
page
60
page
61
page
62
page
63
page
64
page
65
page
66
page
67
page
68
page
69
page
70
page
71
page
72
page
73
page
74
page
75
page
76
page
77
page
78
page
79
page
80
page
81
page
82
page
83
page
84
page
85
page
86
page
87
page
88
page
89
page
90
page
91
page
92
page
93
page
94
page
95
page
96
page
97
page
98
page
99
page
100
page
101
page
102
page
103
page
104
page
105
page
106
page
107
page
108
page
109
page
110
page
111
page
112
page
113
page
114
page
115
page
116
page
117
page
118
page
119
page
120
page
121
page
122
page
123
page
124
page
125
page
126
page
127
page
128
page
129
page
130
page
131
page
132
page
133
page
134
page
135
page
136
page
137
page
138
page
139
page
140
page
141
page
142
page
143
page
144
page
145
page
146
page
147
page
148
page
149
page
150
page
151
page
152
page
153
page
154
page
155
page
156
page
157
page
158
page
159
page
160
page
161
page
162
page
163
page
164
page
165
page
166
page
167
page
168
page
169
page
170
page
171
page
172
page
173
page
174
page
175
page
176
page
177
page
178
page
179
page
180
page
181
page
182
page
183
page
184
page
185
page
186
page
187
page
188
page
189
page
190
page
191
page
192
page
193
page
194
page
195
page
196
page
197
page
198
page
199
page
200
by bwrosas
Here is a more detail version of why (IMHO), female lead characters are given this powers.

Keywords
Details
Type: Writing - Document
Published: 1 year, 5 months ago
Rating: General

MD5 Hash for Page 1... Show Find Identical Posts [?]
Stats
52 views
1 favorite
0 comments

BBCode Tags Show [?]
 
New Comment:
Move reply box to top
Log in or create an account to comment.