Made yet another Commission with @Sydery
Magic it self, interacted by patterns on was either connected to or affected as either as a dancer channeling the rhythm to movement or a musician with an instrument. Like certain sounds patterns resonated with the interdimensional particles of viss and mana; flowing through interconnected streams like a fabric. Like cymatics, where a sound would create geometric shapes, these streams were attuned to the applications of magic or thaumaturgy. Though this explained how to tap into magic it didn’t quite explain what generated mana, viss or what dictate its streams and shapes. Aunu knew these Fabrics were best ascribed more as guide lines or scripts whilst what belied the source code behind it all was the source of magic but what it was still was not known.
The idea that a musical resonance could also simulate a magical effect wasn’t impossible. The Drasil tree's sound was proof of this concept. Clemente crafted much like a tuning fork, was meant to simulate this measure of sonic resonance. The vibrations of the blade quickly gyrated earth into sand and molded it into glass that easily settled betwixt the waves of music. This was his orchestra; one that writhed with a symphony of heaven and earth that caused the vacuous spirits to atune.
Keywords
male
1,195,510,
magic
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kemono
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music
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sound
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glass
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sphinx
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waves
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celestial
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nephilim
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kerubim
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thaumaturgy
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sonic sword
1
Details
Published:
5 years, 7 months ago
27 Jul 2019 19:39 CEST
Initial: 76c748e00d77f8d8ce1a7c01f3f93144
Full Size: 9e604dbffb874dc09a4f7dd9556735aa
Large: c26e958dc1bfb43a1c34eb722c4e97f6
Small: 167529e142837d2a4be5a32c0ab1ffc7
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