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ABadChoiceofWords

Simple Statements

I should make a journal, to have one on my page.  So, what to write?  What matters to me, what I would let the curious know.  Perhaps some shop, for those who would read:

I write by methods gleaned from what I have read and what I wish to read: conventions, restrictions, budgets and patterns and principles.  Many of these methods keep me from indulging the easiest, most common, and least interesting ways to make prose.  They also slow me down, of course, but I much prefer what I have at the end of each day.  So, now, something practical.

- "She was angry."  This states a simple summary of her emotional state.  It's easy to tell an actor to be angry, because it's their work to figure out the how.  But here, is this not the job of the author and not their audience?
- "She was furious."  That's a little spicier, a narrower range to the emotion, but still not that far off from the first.
- "She was angry.  She was furious!"  Now there's repetition, there's escalation, there's motion to the emotion.  The text itself is heating up, and doing it to a drumbeat.  Something is going to come of this.

I oversell, of course, but I hope this still serves as a simple premise.  There's more to writing than stating states.  Pacing isn't just the peaks and dips of the story structure, but the cooperation between complexity of text, rate of reading, and what action plays out on the page—moment to moment, sentence to sentence, word to word.  There must be a term for this, but I do not know it; so I will borrow one that nearly-fits from gaming: ludonarrative.  This is the story the gameplay tells, opposed or complimentary to what narrative is presented outside or alongside.  If the plot weaves a trail of hardship and sacrifice but you always have the tools you want and more, you won't feel the pinch and may object when the cutscenes impose consequences on you that you should have easily avoided yourself.  And in text, I can insist on how fast and furious and nail-biting my fight scene is, but if it drags on for two chapters and little-to-none of what is done has any lasting effect, you are not going to feel what I am telling.

So that is my little rant, for those who have read this far.  Maybe I'll do more, if there is want.
Viewed: 22 times
Added: 8 months, 1 week ago
 
DreamGod
8 months, 1 week ago
Interesting take! Sometimes I worry about repeating myself when I do stuff like this, and sometimes I see it a little more clearly in other peoples' stories, but if it's done to a careful degree, it can work very well.
ABadChoiceofWords
8 months, 1 week ago
"Don't repeat yourself" has a degree of worth in it, but it tends gets thrown around without important context, and a lot of people learn the wrong things from it.  Take those who uses 'the girl' five times in three sentences: when told to stop repeating, many will start looking for synonyms—'the blond', 'the woman'—when there's so many other, better solutions.  One I almost never hear is "restructure those and their surrounding sentences so subjects/objects don't have to be restated."  It's a bigger ask, of course, but also one of those big breakthroughs in perspective on prose: everything is malleable, and everything can be changed (even details, characters, plot!) for the sake of communicating it better.
bullubullu
4 months, 1 week ago
The premise of this journal is definitely something worthwhile to consider for a writer!

I must admit I take the easy path 19/20 times because it's, well, super easy, barely an inconvenience! XD

I am curious about the point you make in this comment though. Instead of saying "the blond" or "the vixen", could you mayhaps construct a sentence as an example and then change around the way you would do so to make the writing more interesting?

ABadChoiceofWords
4 months, 1 week ago
My more-recent journal is an expansion of my comment here, though that doesn't strictly give negative examples of this.  I find it hard to come up with a short example, as this sort of thing tends to be paragraph-sized, if not even larger—mind if I pull from one of your pieces?  
bullubullu
4 months, 1 week ago
By all means go ahead if you have the time ^^
ABadChoiceofWords
4 months, 1 week ago
In the opening few paragraphs of Mandate of Heaven, there's a lot of 'the empress', 'the woman', 'the boy', 'the prince'.  Most of these could just be he or she, since there's no room for confusion.  Also, this'll have the side effect of reducing article usage.
bullubullu
4 months, 1 week ago
Good points, will lead to more tight writing, I can see that, thanks for explaining ^^
ABadChoiceofWords
4 months, 1 week ago
The second exchange between them could also be untagged.  There's a convention: when the speaker changes, so does the paragraph.  In exchanges between two characters, this allows you to avoid tagging (in this case, emoting) most followup dialogue.  
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